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Edward Elric

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Edward Elric
EdwardElricEp06
Alias Fullmetal Alchemist
Race Human
Nationality Amestrian
Birthday 1899
Birthplace Resembool, Amestris
Age 15-16; 18
Gender Male
Professional Status
Affiliation Elric Brothers, State Military
Rank Major
Occupation State Alchemist
Team Elric Brothers
Partner Alphonse Elric
Base of Operations Nomadic
Personal Status
Relatives Trisha Elric (mother, deceased)
Van Hohenheim (father, deceased)
Alphonse Elric (brother)
Homunculus (blood kin)
Winry Rockbell (girlfriend,wife)
Pinako Rockbell (grandmother-in-law)
Unnamed Son and Daughter
Abilities
Alchemy Transmutation
First Appearance
Manga Debut Chapter 1
Anime Debut Episode 1
Voices
Japanese Voice Romi Park
English Voice Vic Mignogna

Edward Elric (エドワード・エルリック, Edowādo Erurikku), given the codename Fullmetal Alchemist (鋼の錬金術師, Hagane no Renkinjutsushi) is the youngest State Alchemist in the history of the organization having gained his admittance at the age of 12. He is also the main protagonist of the Fullmetal Alchemist franchise.

AppearanceEdit

automail: ch1 pg51; ch18; ch24 pg30-32; ch70 pg8-10; ch87 pg32-33

PersonalityEdit

On the surface, Edward displays an immature sort of personality. He is decidedly stubborn and strong-willed, frequently letting his pettiness and vindictiveness get the better of him (it is this stubbornness that contributes to Führer Bradley's decision to codename him "Fullmetal," as "Hagane" (literally meaning "steel") is a term in Japanese that denotes someone of obstinate disposition). He is somewhat selfish and remarkably self-absorbed, generally acting more out of self-interest than any sort of philanthropy as well as taking several opportunities to stroke his own ego or flaunt the governmental power and monetary license of his military position. He is largely hostile towards figures of authority and feels little incentive to follow orders with which he disagrees, earning him the distinction of being a loose cannon of sorts. Edward is also rather quick-tempered, resorting more often to steel-fisted violence than calm negotiation to settle disputes (even going so far as to suggest that refraining from hitting Paninya because of her gender is a sexist notion and, therefore, against his principles). He has a reputation for being foul-mouthed and is an incurably sarcastic cynic, only too happy to bluntly and harshly relieve others of their comfortable delusions regarding god, reality, or their own self-importance. Edward has also displayed a propensity towards impatience and an inability to sit still for long, which perhaps contributes to his love of travel.

However, for those few people who have made an impact on him, Ed shows his deeper nature to be one of marked selflessness, unflinching loyalty, and great compassion. As someone who has had to suffer greatly at such a young age, Edward cannot ignore the true suffering of others and becomes sympathetic upon sensing pain and resolve in people's hearts. Though his solemn advice to such people is often tempered with brusque criticism, it is only because he genuinely wishes to place them on the most direct path forward. As one who has to struggle with a maimed body, he urges those with healthy bodies to use their strong legs to move forward, and as one burdened by the mistakes of his past, he stresses the necessity of people taking responsibility for their own errs. Though he will intervene on behalf of the oppressed if he concludes that a situation has called for it, Ed tends to help only those with the will - but not the means - to help themselves, in which case his recklessness and disdain for authority often has him bending the rules to dole out a Robin Hood-esque justice in accordance with his strong belief in the concept of Equivalent Exchange, earning him notoriety and popularity as a "hero of the people."

Of course, the most noticeable of Edward's dispositional characteristics is his Napoleonic denial of his shortness. Even in moments of relative composure, any and all references to his stature cause him to violently lose control of his emotions and lash out both verbally and physically. Distinctive to these outbursts is Ed's tendency to take even the most casual mention of his height as a gross insult and interpret it exaggeratedly, mistaking words as simple as "small" for phrases as contrived as "so-tiny-that-he-need-not-fear-being-crushed-by-a-boot-because-he-fits-so-easily-between-the-grooves-of-the-sole" and the like. Those unfortunate to utter the word "small" in his presence are fated to suffer one of his vindictive tantrums. Though Edward proudly professes that he does not believe in gods, his spiritual sensibilities tend more toward the agnostic than the atheistic; in private, though he does not pray, he frequently acknowledges the existence of a god in his speech, if only to justify why it is that his life has been so difficult.

Ed's aesthetic sensibilities are also quite twisted in that he is a great fan of gothic or macabre fixtures and will usually transmute decorations filled with monstrous or demonic imagery and unnecessarily gaudy details, much to the dismay of anyone who receives a gift or service from him. He has also made it known that his trademark red coat is part of this general lack of taste, as it is "a badass color [that] gets the blood going."

HistoryEdit

ch2 pg2-7 pg 18; ch9 pg19; ch20 pg2; ch21 pg5; ch22 pg44; ch23; ch24

PlotEdit

ch45 pg7-8; ch53 pg14-19; ch82; ch84 pg8

AbilitiesEdit

Peek Physical Conditioning: Having apprenticed under Izumi Curtis, Ed was taught to condition his body through regular workouts and sparring as part of her philosophy, "to train the spirit, first train the body." As such, his slight frame belies a compactly muscular build that, in addition to his naturally high energy level and endurance, fuels his considerable strength and agility.

Master Martial Artist: Despite Edward's small stature and young age, he is a remarkable combatant. Due to Izumi's Spartan training, Edward has become a particularly competent hand-to-hand fighter, able to hold his own against armed opponents and even skilled martial arts practitioners. Besides that, his steel right arm and left leg augment his fighting strength by adding to his defensive and offensive capabilities as well as his speed - after he is refitted with a lighter, cold-climate automail.

Alchemical Prodigy: As suggested by his unprecedented acceptance into the State Alchemist program at such a remarkably young age, Edward Elric is an alchemical prodigy of genius level intellect. From early childhood, he displayed proficiency for alchemy, acquiring self-taught alchemy skills and comprehension from the advanced literature in his father's abandoned study at an age that shocked even his mother. Having incorporated alchemy into his life during his developmental stages, Edward sees the world alchemically and is therefore able to solve complicated codes, puzzles and mysteries much more easily than normal. He has also shown himself to be exceptionally adept at chemistry and reasonably competent with biology; indeed even his preparations for the failed attempt to resurrect his mother were indicative of these. Edward's near-encyclopedic knowledge of alchemical theory is astounding and contributed to his incredible success with emergency Soul Binding experimentation. He shows an uncanny level of focus that allows him to effectively shut out everything from his surroundings and devote all of his considerable mental power to whatever problem demands his attention, especially in the case of books.

Combat AlchemyEdit

Object Transmutation: As a result of having passed through The Gate and witnessing the Truth, Edward became one of the few alchemists who do not require a drawn Transmutation Circle to perform alchemical transmutations. By merely touching his palms together, he creates an energy circulation with his arms and transmutes by using his own will as a substitute for the necessary runes. This remarkable talent makes his transmutations both instantaneous and incredibly versatile, allowing him to use alchemy to its fullest potential in direct combat. With this quick style, Edward becomes a master of his surroundings and uses the substances therein to supplement his physical prowess in battle - creating giant earthen hands to lift objects, columns of stone to gain himself the higher ground and ogre-faced battering rams with which to strike opponents. Ed also specializes in transmuting weapons with which to do battle and often crafts menacing-looking swords and ostentatious lances when necessary, but his primary weapon is his automail right arm, whose forearm plating he transmutes into various blades. Of course, the true genius of Edward Elric's combat alchemy lies in his aptitude for incorporating the alchemy styles of others into his own after merely having once seen them in action, which makes him very adaptable to various situations. So far, he has adapted Scar's destruction alchemy, Alex Louis Armstrong's gauntlets and stone spikes as well as Greed's carbon armor hardening into his combat repertoire.


TriviaEdit

ReferencesEdit

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